LisbethMovingrewupinOdenseandgotadegreeasalaboratorytechnicianbeforeshewasadmittedtotheRoyalTheatreSchoolin1939.Graduatingin1941,shewashiredbytheRoyalTheatre.ShehadbeenthereonlyashorttimewhenDreyerhiredherforherfirststarringrole,inDayofWrath.Dreyerdidnotwanttoworkwithaprimadonnabutpreferredlessexperiencedactressesthathecouldmoreeasilyshape.　　Movinlatermovedon...(展开全部)　　LisbethMovingrewupinOdenseandgotadegreeasalaboratorytechnicianbeforeshewasadmittedtotheRoyalTheatreSchoolin1939.Graduatingin1941,shewashiredbytheRoyalTheatre.ShehadbeenthereonlyashorttimewhenDreyerhiredherforherfirststarringrole,inDayofWrath.Dreyerdidnotwanttoworkwithaprimadonnabutpreferredlessexperiencedactressesthathecouldmoreeasilyshape.　　MovinlatermovedontoDetNyTeater,whereshebecameayoungprimadonnaofsortsinsomewhatlighterrolesthanshehadplayedatthenationalstage.Shebecameafreelanceactressin1950.In1953shereplacedanotherDreyeractress,NinaPensRode,asAnneBoleyninCant,theplaybyKajMunkatDetNyTeater.PensRodehadtocancelbecauseofsicknessandMovinfilledinforherforafewmonths.　　In1945MovinmarriedLauLauritzenJr.(1910-1977),awell-knownactor,produceranddirector(oftenwithAliceO’Fredericks)whowasalsotheartisticdirectorofthesuccessfulASAproductioncompany.Theyhadthreechildren(oneistheactressLoneLau).Aftershehadchildren,Movinputheractingcareeronholdforlongperiods,thoughshestillactedinfilms,notablyherleadingroleinDerødeenge(TheredMeadows),andoftenwithherhusbanddirecting.Inthelate1950sandearly1960sshebegantoco-directalongsideherhusband,withherinchargeofdirectingtheactors.Inthisfunction,shecalledherselfLisbethLauLauritzen.　　Inthe1960s,Movinreturnedtothestageandscreen,playingrolesintheEdwardAlbee’sADelicateBalanceandNoëlCoward’sWaitingintheWingsatHvidovreTeater.OnscreensheappearedinAstridHenning-Jensen’sVinterbørn(Winter-born)and,mostrecently,Babette’sFeast,alongsideastarparadeofDreyeractors–EbbeRode,PrebenLerdorffRye,BirgitteFederspiel,BendtRotheandAxelStrøbye.　　Inthe1960sMovinwasacitycouncilmemberinHørsholmfortheConservativeParty.　　Ina1943lettertoDreyershewrites,"howwonderfulformethatitwasCarlTh.Dreyerwhoopenedmymindtotrueart,"singlingouttheroleofAnneasthehighpointofhercareer.Ina1973article,shesays,"artistically,DayofWrath,from1944,isprobablyahighpoint.But,ofcourse,CarlTh.Dreyerwasdirecting.Inhiscalm,slowwayandaccordingtohisquiet,amicablenature.Hecouldneverbeswayedfromamethodofacting,astyle,astandpoint.Becausehealwaysexaminedthingsbeforehand;heknewveryexactlywhathewanted.　　Movinissingledouteverywhereforherbeautiful,burningeyesinDayofWrath.Heryouthfulinnocencemergeswiththelove-starved"witch,"butshemaintainshercooleleganceandremainsmoreconvincingasayoungminister’swifethananerotictemptress.HerperformancemadeanimpressionabroadandseveralDanishpaperspredictedasuccessfulinternationalcareerforher.